The art of blending tartan and toile in modern interiors

Dive into the captivating blend of tartan and toile as Lucy O’Brien redefines modern interior design.

Imagine stepping into a room where history whispers through the fabric, where tartan and toile dance together like an elegant couple. It’s a juxtaposition that Philadelphia designer Lucy O’Brien has mastered, bringing a unique flair to her projects. She describes these two patterns as a kind of yin and yang: one dark and moody, the other light and airy. This harmonious pairing not only showcases her talent but also reflects the narratives of the 18th and 19th centuries that inspire her work.

Creating a cozy yet whimsical atmosphere

When you walk into one of O’Brien’s spaces, you can’t help but feel a sense of wonder. It’s like being transported into a painting, with every layer revealing something new. For instance, in one of her stunning living rooms, a taxidermy peacock stands guard, surrounded by lush florals from Pierre Frey. Nearby, a wicker giraffe lamp adds a playful touch, embodying the personality of the room. O’Brien believes that coziness is crucial, but it’s the elements of surprise that truly captivate the eye and the imagination.

Historical elements meet eclectic style

The hallmark of O’Brien’s design philosophy lies in her ability to uncover historical elements that seamlessly blend with contemporary styles. Take, for example, a children’s jungle-themed room she designed. She didn’t just slap on some generic wallpaper; instead, she painted the bunk beds and molding with a faux tortoise shell pattern. Each detail tells a story, weaving together a narrative that goes beyond mere decoration. “We’re not just designing a custom sofa,” she explains, “but an entire composition.” That’s the magic of her approach—each element is a brushstroke in a larger masterpiece.

A journey into design

O’Brien’s journey into the world of design began with a renovation of her first home, a Victorian fixer-upper. Faced with what she perceived as uninspired options, she dove deep into research and sourcing. “When I couldn’t find someone to articulate what I was envisioning for my first home,” she recalls, “I set out to create it myself.” It wasn’t long before friends and acquaintances began seeking her advice, setting her on a path she never expected.

Embracing challenges

But let’s not forget, challenges don’t intimidate O’Brien. In a previous life, she worked in a hospital ICU, which perhaps honed her problem-solving skills. For one project, she tackled a sunroom filled with four different styles of treillage lattice pattern bamboo elements. “It was one of the hardest things I’ve ever done,” she admits, recalling the struggle to get the scale just right. “I don’t know that many designers would have taken that kind of risk, but I’m thrilled with how it all came together.” It’s this willingness to push boundaries that defines her work.

Designing with authenticity

In her view, authenticity is key. “It’s always better to be the best version of yourself rather than a second-rate version of someone else,” she asserts. When O’Brien designs, she immerses herself in the space, feeling it with her entire being. “When I operate on this deeper level, it tends to produce more original work,” she explains passionately. It’s a philosophy that resonates throughout her designs, often resulting in unexpected and delightful outcomes.

Collaborating with craftsmen

When asked about collaboration, O’Brien lights up at the thought of working with de Gournay. “I recently visited their showroom in London,” she shares, excitement dancing in her voice. “I got to meet the artisans who create the wallpaper and even try my hand at embroidery and painting.” The prospect of collaborating with skilled craftsmen thrills her, and it’s easy to see why—her passion for the craft is palpable.

Taking design risks

Taking risks is part of the game. Recently, she designed a custom pink onyx bathtub, a venture that involved international fabrication and navigating a language barrier. “Managing the process made it one of the more complicated things we’ve done,” she reflects, but the outcome was well worth the effort. It’s this kind of daring creativity that sets her apart in the industry.

The charm of patina

What makes a house irresistible to O’Brien? It’s all about patina and potential. “A home that’s a century old has an inherent charm that can’t be recreated,” she explains. The character of aged wood, the beauty of leaded glass windows, and the elegance of plaster moldings are treasures she seeks to preserve. “We will always work to salvage what was well-made and restore rather than demolish,” she asserts firmly. This approach not only honors the past but also integrates the modern luxuries that clients desire.

Scritto da AiAdhubMedia

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