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17 June 2026

Exploring Home and Identity at the India Pavilion in Venice

The India Pavilion at the Venice Biennale 2026, titled 'Geographies of Distance: remembering home,' features five artists who explore the emotional and cultural dimensions of home through traditional Indian materials.

Exploring Home and Identity at the India Pavilion in Venice

The India Pavilion at the Venice Biennale 2026 is making a significant return after a seven-year hiatus. Titled Geographies of Distance: remembering homethe exhibition is curated by Dr. Amin Jaffer and presented by the Ministry of Culture, Government of India. This pavilion is a collaborative effort with the Nita Mukesh Ambani Cultural Centre and Serendipity Arts, two prominent cultural institutions in India.

The exhibition features five Indian artists: Alwar Balasubramaniam (Bala), Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. Each artist draws on India’s rich material culture traditions, spanning millennia, to evoke an emotional connection to the idea of home. Despite their diverse geographic origins, experiences, and practices, the artists are united in their use of organic materials traditional to India.

The Concept of Home in a Changing World

The exhibition explores how home becomes less a fixed place and more a portable condition for those whose lives are shaped by change or distance. It reflects a moment of accelerated change in India, as cities grow horizontally and vertically, transforming neighborhoods at an unprecedented pace. Indians today are more mobile than ever, both within the country and as a global diaspora.

Constituting nearly 20% of the world’s population, Indians remain deeply connected to their origins and culture. As familiar physical spaces transform and renew, the exhibition invites viewers to consider whether home is a place or an evocation of emotion and memory. Across the exhibition, elements of ‘home’ appear fractured, suspended, scaled, or vulnerable as the artists explore longing and a deep-rooted sense of attachment to the place to which we belong.

Artists and Their Vision

Each artist in the India Pavilion considers India’s transformation, mobility, and the global diaspora through their unique perspectives. Alwar Balasubramaniam (Bala) and Skarma Sonam Tashi, for instance, use organic materials to create works that evoke a sense of nostalgia and connection to one’s roots. Their artworks are not just visual spectacles but also emotional journeys that resonate with viewers on a personal level.

Sumakshi Singh, Ranjani Shettar, and Asim Waqif also bring their distinct styles and materials to the exhibition. Their works explore the themes of home, memory, and identity through innovative use of traditional Indian materials. The exhibition is a testament to the artists’ ability to blend tradition with contemporary themes, creating a dialogue that transcends borders and cultures.

Ephemeral Interventions and Cultural Exchange

The India Pavilion creates ephemeral interventions that dissolve into Venice’s daily rhythm. These interventions appear at different times of the day, such as dawn on a bridge, resonating at dusk, or materializing during afternoon light. This approach allows the pavilion to seamlessly integrate with the city’s fabric, creating a unique cultural exchange.

A key highlight of the India Pavilion is a curated program of music, performance, poetry, and conversation. This program runs throughout the 61st International Art Exhibition of La Biennale di Venezia, offering visitors a multifaceted experience that goes beyond visual art. The program aims to create a sense of community and shared cultural heritage, fostering a deeper understanding of Indian art and culture.

The India Pavilion at the Venice Biennale 2026 is more than just an exhibition; it is a cultural dialogue that transcends borders. Through the works of five talented artists, the pavilion explores the emotional and cultural dimensions of home, inviting viewers to reflect on their own connections to place and memory. As India’s cultural presence on the world stage continues to grow, the India Pavilion serves as a testament to the country’s rich artistic heritage and its evolving cultural identity.

Author

Beatrice Mitchell

Beatrice Mitchell, Manchester-rooted and classically elegant, famously commissioned a rebuttal series after a controversial council planning meeting in Stockport, insisting on community testimony. Holds a firm editorial line on accountability and narrative fairness, and collects vintage city planning maps as an idiosyncratic hobby.